{"id":1491,"date":"2025-07-10T07:18:15","date_gmt":"2025-07-10T05:18:15","guid":{"rendered":"https:\/\/festival2025.eimacreacio.com\/noticies\/dos-vidas\/"},"modified":"2026-03-23T11:51:03","modified_gmt":"2026-03-23T10:51:03","slug":"dos-vidas","status":"publish","type":"post","link":"https:\/\/festival2025.eimacreacio.com\/en\/august-8th\/dos-vidas\/","title":{"rendered":"Dos Vidas. Zwei Leben."},"content":{"rendered":"\n<p>How much inequality can a global friendship withstand? One lived on the streets. One was beaten at school. One was tortured. One was a drug addict. One was in prison. Both come from middle-class families. Both have several children. Both act in films. One has a house by the sea. Both are unemployed. One receives government assistance. TWO LIVES. ZWEI LEBEN. subjects the biographies of two actor friends to a test of comparison and tension: Jorge Antonio Arias Cortez was born in May 1985 in Oruro, in the Bolivian Altiplano, and Nicola Fritzen in October 1978 in Berlin. Who achieves which social position with which global starting capital? Who triumphs in the &#8220;good life&#8221;, who cheats and who falls? Inequality is the explosive of the global system of the coming decades. The demarcations of conflict points and the supposed security guarantees of the West are collapsing in the era of climate change and outdated growth models. TWO LIVES. ZWEI LEBEN. puts into play the artistic experiment of placing the lived experience in a global frame of reference. To this end, the two actors offer their own biography for a sociological case study, with all its extremes, high points and painful details. Can a &#8220;global inequality&#8221; be read in the lives of Cortez and Fritzen? Did one of the two get the worst luck in the &#8220;birth lottery&#8221;? To what extent do each of them represent the social system from which they come?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KLARA Theaterproduktionen \/ From 7:30 p.m.\/ Es Pujolet &#8211; Deulosal<\/p>\n","protected":false},"author":3,"featured_media":1335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[87,89],"tags":[],"class_list":["post-1491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-august-8th","category-performance"],"acf":[],"_links":{"self":[{"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/posts\/1491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/comments?post=1491"}],"version-history":[{"count":10,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/posts\/1491\/revisions"}],"predecessor-version":[{"id":1807,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/posts\/1491\/revisions\/1807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/media\/1335"}],"wp:attachment":[{"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/media?parent=1491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/categories?post=1491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festival2025.eimacreacio.com\/en\/wp-json\/wp\/v2\/tags?post=1491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}